Friday, August 31, 2012

Digital Media Convergence- Online Music Video




In today’s society, online music video’s have the ability to be seen by an immense population, with some of the most viewed reaching over half a billion. Justin Bieber ‘Baby’- viewed 700 Million times.


                                                                        (Above) Justin Bieber- 'Baby' music video.

By exploring the progression of music videos, from TV to the now extremely popular online platform, in particular youtube, allows for a noteworthy analysis of the ways in which digital media convergence has shaped modern patterns and usage of media. Through the merging of the music video medium with the advancement in online streaming and sharing, a new culture surrounding music videos has surfaced.  

The original emergence of music videos occurred during the 1970’s on TV shows such as ‘Countdown’, an Australian broadcasted TV series which was dedicated entirely to screening music videos. Countdown and other similar shows subsequently lead to the popularization of artists who became widely known for not only their music but also their adjoining videos, as well as assisting the promotion of developing artists. Madonna is an example of an act that thrived off the music video genre, with her videos such as ‘Holiday’ becoming iconic and immensely assisting the launch of her career. 
 
(Above) Image of Madonna from her music video 'Holiday'


The launch of MTV during the 1980’s saw the music video genre become increasingly popular and into mainstream culture. It saw the further rise of ‘audio-visual screen performers’ (Dr. Liz Giuffre) including Michael Jackson.
(Below) Michael Jackson- 'Thriller'  

Following the launch of his video ‘Thriller’, his dance moves became widely known and connected with his music, illustrating the implications of music videos as apposed to music on its own. The popularity of Music video TV however, soon subsided to the rise of online digital media. Svoen, B (2007) describes the increasing prevalence of internet and computer media and the minimizing effect this has on the amount of time spent watching TV. This subsequently encouraged the convergence of music video and the internet, which has in turn given rise to the ‘revolutionary’ (Hilderbrand, 2007:48) website Youtube.   
The introduction of Youtube and it’s successive growth lead to a shift in the TV music video culture connected to channels such as MTV. Youtube as a result of the low resolution needed to stream a video, encouraged the development of less expensive and extravagant production of music videos.
                                                 (Above) OK Go- 'Here It Goes Again' 


The effects of the decrease in money invested in production of music video’s and the transition from TV to online is evident when examining MTV. In current times, MTV no longer dedicates screening to music videos, but instead majority of the channel is funded by and committed to displaying TV shows, for example the hit TV show Jersey Shore. 
(Below) Cast from Jersey Shore
 This is an overt demonstration of the effect that media convergence can have on ‘older’ media providers, which must adjust and revolutionize to accommodate the changing audiences, in order to stay relevant.

The convergence of media forms and the growth of ‘new’ media has been described by Dwyer (2010:6) as ‘increasing the versatility of human action’. This in turn stresses the objective of converging digital media to provide a more convenient and improved way of supplying media to consumers, and in the specific case of Youtube this is evident. The online nature of Youtube provides consumers with the opportunity to access music videos from any medium with internet. The development of iphones and other smart phones which have the ability to connect to ‘3G networks and in turn stream online content’ (Orgad, Shani 2009) has lead to an additional convergence of media, further expanding the accessibility of online music videos. Individuals can now access youtube videos ‘on the go’, at ‘anytime’ (Orgad, Shani 2009), this has driven the viewing culture of music videos to become increasingly more individualized, as apposed to the previous nature of music videos on TV which would encourage communal viewing.
                                                       (Above) Youtube on iPhone

Music Video online specifically Youtube, has lead to a further convergence of media forms; online music video’s and social networking. Youtube’s design encompasses the ability for users of the site to provide their own feedback of the music videos through the form of comments, likes and dislikes and subscriptions. As Hilderbrand (2007:54) suggests, ‘It’s not about the video. It’s about creating a community around the video’. This interactive nature of youtube has created a culture of communication and opinions surrounding modern music video sharing. The popularity of a particular video can be to an extent, measured by the number of views cumulated and subsequently recorded alongside the video. The spreading of music videos is also assisted through the social media aspect of youtube, allowing the phenomenon of ‘viral’ (Hilderbrand 2007) videos to emerge.  This shines light on the culture changing nature of digital media convergence.
                                                    (Above) Facebook, Youtube and Twitter icons

It has been widely questioned to whether the internet, and online music video has lead to the collapse of ‘music video stars’ (Dr. Liz Giuffre), such as those who owe their career launches to the original music video TV platforms such as Countdown and MTV. By analyzing the success of Youtube and the pioneering culture surrounding it, one can emphasize an alternative view, that the development of Youtube has in fact heightened the ‘music video star’. Through the online nature of music videos, people are able to easily spread them via social media sites, for example Twitter and Facebook. Youtube also provides music artists with the opportunity to have their own Youtube channel, where they can upload and share music videos in a collective manner, allowing intrigued individuals to explore the entire collection of an artists music. In saying this, the idea that online music video has allowed for an increased success of artists, can be advocated. 

In conclusion, it is clear that digital media convergence, explicitly Music Video Online, has lead to an evolution in the way society produces and consumes media. This progression of previous media merging with modern media has allowed for subsequent cultural changes surrounding Music Video’s as well as opening doors to forever expanding possibilities associated with the convergence of digital media.

References
1. Dwyer, T. (2010) ‘Media Convergence, McGraw Hill, Berkshire, pp 1-23

2. Hilderbrand, L. (2007) 'Youtube: Where Cultural Memory and Copyright Converge', Film Quarterly, Vol 61, pp 48-57

3. Orgad, Shani (2009) 'Mobile TV : Old and new in the construction of an emergent technology' Convergence, vol 15 no 2 pp 197 - 214

4. Svoen, B. (2007) ‘Consumers, participants, and creators: young people’s diverse use of television and new media’, ACM Compu. Entertaint. Vol. 5, No. 2, Article 5

Images
1. Image of Madonna from her music video 'Holiday', accessed on 31/08/12
2. Image of Facebook, Twitter and Youtube icons, accessed on 31/08/12
3. Image of Cast from Jersey Shore, accessed on 31/08/12
4. Image of Youtube on iPhone, accessed on 31/08.12

Videos
1. Justin Bieber, 2010, 'Baby', accessed on 31/08/12, http://www.youtube.com/watch?v=kffacxfA7G4
2. Michael Jackson, 1982, 'Thriller', accessed on 31/08/12, http://www.youtube.com/watch?v=4V90AmXnguw
3. OK go, 2009, 'Here It Goes Again', accessed on 31/08/12, http://www.youtube.com/watch?v=dTAAsCNK7RA

Lectures
1. Dr. Liz Giuffre, '(Online) Music Video'

No comments: